Portland Stage Company is seeking Equity actors for roles in its 2026-27 Season. Audition Call Type: EPA. Audition Date: Tuesday, June 9, 2026, from 9:30 AM - 5:00 PM at Portland Stage Company, 25A Forest Ave, Portland, ME 04101-5809. Please prepare a short monologue (2-3 min) and bring a headshot and resume stapled together. Always bring your Equity Membership card to auditions. Roles include:
- **ARCADIA**: Seeking: Tomasina Coverley, 20s female identifying; Septimus Hodge, 20-30s male-identifying; Lady Croom/Hannah Jarvis, 30-40s female identifying; Captain Brice/Bernard Nightingale, 30-50s male-identifying; Ezra Chater/Valentine Coverley, 30-40s male-identifying; Jellaby/Richard Noakes, 40-60s male-identifying; Augustus Coverley, 12-18 male-identifying; Chloe Coverley, 20s female identifying.
- **ROOTED**: Seeking: Emery Harris, 40-70s female identifying; Hazel, 40-70s female identifying; Luanne, 20-30s female identifying.
- **IT’S A WONDERFUL LIFE: A RADIO PLAY**: Seeking: Jake Laurents, 20-50s male-identifying; Sally Applewhite, 20-40s female identifying; Freddy Filmore, 40s-60s male-identifying; Lana Sherwood, 20-40s female identifying; Harry “Jazzbo” Heywood, 30-50s male-identifying.
- **THE REAL SHERLOCK HOLMES**: Seeking: Arthur Conan Doyle, 20-30s; Dr. Joseph Bell, 30-60s; Lady Louisa Macdrummond, 30-50s; Miss Jenny, 20-30 female identifying; Inspector Brodie, 40-50s male identifying; Morgue Attendant, 20-50s; Magnus McBain, 30-60s.
- **I AM MY OWN WIFE**: Seeking: Charlotte & Others, 30s-60s.
- **JANE EYRE**: Seeking: Jane Eyre, 20-40s female-identifying; Mr. Rochester, 20-40s male-identifying; Mrs. Fairfax/Lady Ingram/Mrs. Reed, 40-60s female-identifying; Blanche/Bessie/Grace Poole, 20-40s female-identifying; Mason/St. John Rivers/John Reed, 30-40s male-identifying; Priest/John/Doctor, 40-60s male-identifying; Young Jane/Adele, 12-18 female identifying; Leah/Mary Ingram/Diane Rivers/Bertha, 20-30s female-identifying.
- **REVELATION**: Seeking: 8 Tracks: Diverse genders, races, and ethnicities familiar with Coonrad’s style of theater making.
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