Typically, a small number of students are chosen for D&DAs based on their potential to benefit from the training but lack the financial means to afford the fees. After completing the required training, it is usually expected for a young actor to have an agent, although it is not crucial. Along with composing a letter, it is crucial for the actor to have their performance witnessed by the agent in a production and propose working together. According to Henry and Rogers (2008, p.10), “Dealing with the pressures of rehearsal, production, and performance while worrying about whether you’ll have enough money to pay rent is more than just foolish.” This often causes actors to abandon their aspirations. You can get a custom paper by one of our expert writers
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